Biennale of Sydney

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The Floating Embassy, 2022

floating installation

Courtesy the artist

Commissioned by the Biennale of Sydney with generous support from Australia Council for the Arts and Create NSW and generous assistance from the City of Sydney and made possible with the support of the artists at the Newington Armory, Sydney Olympic Park Authority

Curtis Schreier, Ant Farm

DOLΦN EMB 1 (Dolphin Embassy), 1974-1975

DOLΦN EMB 2 (drawing by Curtis Schreier), 1975

hand coloured brownline

Ant Farm

The Dolphin Embassy Viewed from Directly Astern, 1977

colour photocopy from an original drawing

Dolphin Embassy (book, unbound), 1977

screenprint on plastic mounted on paper and offset lithography on paper

University of California, Berkeley Art Museum and Pacific Film Archive; Purchase made possible through a bequest of Thérèse Bonney by exchange, a partial gift of Chip Lord and Curtis Schreier and gifts from an anonymous donor and Harrison Fraker

Ant Farm

Dolphin Embassy Sketchbooks (selected), 2004

Prints

Courtesy the artist Curtis Schreier, Ant Farm

Off-Air Australia, 1976

color 4:3 video

20:55 mins

Courtesy the artist and Video Data Bank, School of the Art Institute of Chicago

Alexandra Morphett and Doug Michels

Dolphin Embassy Archives, 1976 – 2003

mixed media

Courtesy collection of Alexandra Morphett, curated by Joni Taylor

The Floating Embassy is an ongoing, collaborative project by the New Landscapes Institute (NLI). It was inspired by Ant Farm’s Dolphin Embassy (1973- 1978), the utopian art and architecture collective’s un-built proposal for an ‘interspecies communication station’ on Australian waters in the 1970s. NLI’s project consists of a mobile pontoon currently moored at Walsh Bay, an archival display inside Pier 2/3, and a series of programs investigating how experimental spatial practices can respond to our changing oceans and waterways.   

‘Designed and built as a collaboration, the mobile pontoon is site specific and facilitates creative research in response to its locations on and around water. It explores what a contemporary Floating Embassy might be today, re-situating the experiment within our current urban condition. Bringing together artists, architects, designers, marine researchers, and the public, it will host a series of discussions on water, allowing small groups to float temporarily in non-human aquatic space. 

The furniture on board responds to and exaggerates the sandstone topography of the Sydney harbour shoreline and can be adapted for either ‘Exhibition, Roundtable or Contemplation / Isolation modes.’ 

All quotes are from New Landscape Institute The Floating Embassy project statement 2022.