Biennale of Sydney

Eva L’Hoest

Eva L'Hoest, Shitsukan Of Objects, 2019, multi-channel video installation. Installation view from 'When water comes together with other waters', Lyon Biennale, France. Commissioned by the Lyon Biennale, curated by Palais de Tokyo. Courtesy the artist. Photographer: Ludovic Beillard.
Eva L'Hoest, Under Automata, 2016. Still from the video "Under Automata", 2016. Courtesy the artist.
Eva L'Hoest, The Inmost Cell, 2020, still frame from the video "The Inmost Cell", 11 min. The Riga International Biennial of Contemporary Art. Courtesy the artist.

Eva L’Hoest

Born 1991 in Liege, Belgium
Lives in Brussels, Belgium

Eva L'Hoest's practice uses digital language as an archaeologist's tool to address questions of origins and memories. Through combinations of sculptures, performances and audiovisual installations, she explores the way in which collective and individual mental images can be reactivated and reanimated in technological forms. Starting from reality and the situation of the body within it, Eva L'Hoest appropriates contemporary technologies in their capacity to record and expose the world by revealing new narratives and forms, inscribed in the limits and potentials of machines. Eva L'Hoest infiltrates the data of our digital age as much as primary mythologies and thus brings to the surface visual and audible forms that create new territories of relationships, at the crossroads of distinct worlds, times and media.

23rd Biennale of Sydney (2022)

Details to be announced