In a land where history remains fragmented and narratives severed, Nasri Sayegh approaches his practice as a way to reassemble what resists erasure. A Lebanese-French visual artist, writer, DJ, embroiderer, and performer, he works across photography, video, embroidery, text, and objects to interrogate the construction and deconstruction of memory. Excavating archives – family, official, and beyond – he composes visual constellations that evoke an atlas or cabinet of memory. Central to this process is embroidery, which Sayegh envisions as both a suture and a queer gesture of reparation, weaving delicately between absence and recollection, amnesia and resistance. His multidisciplinary works propose a fragile museum where text and image, stitch and pixel converge.