Biennale of Sydney

16 March – 11 June 2018

70 artists, 35 countries, 7 locations

More than 300 works presented across the metropolis in partnership with the Art Gallery of New South Wales, Artspace, Carriageworks, Cockatoo Island, Museum of Contemporary Art Australia, Sydney Opera House and 4A Centre for Contemporary Asian Art.

Yukinori Yanagi, 'Icarus Container', 2018 (detail), steel, mirror, ground glass, video, sound dimensions variable. Installation view (2018) on Cockatoo Island for the 21st Biennale of Sydney. Courtesy the artist. Presentation at the 21st Biennale of Sydney was made possible with generous support from Anonymous and assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Panasonic. Photograph: Silversalt Photography

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Brook Andrew, 'What’s Left Behind', 2018, mixed-media installation, dimensions variable. Installation view (2018) at the Museum of Contemporary Art Australia for the 21st Biennale of Sydney. Contributing artists: Rushdi Anwar, Shiraz Bayjoo, Mayun Kiki, and Vered Snear. Courtesy the artist; Tolarno Galleries, Melbourne; Roslyn Oxley9 Gallery, Sydney; and Galerie Nathalie Obadia, Paris and Brussels. Presentation at the 21st Biennale of Sydney was made possible with generous support from Penelope Seidler AM and assistance from the Museum of Applied Arts and Sciences. Photograph: Document Photography

2018 marks the 45th anniversary of the Biennale of Sydney and its 21st edition.

From 16 March – 11 June, SUPERPOSITION: Equilibrium & Engagement, curated by Artistic Director Mami Kataoka, presents the work of 70 artists and artist collectives from 35 countries at the Art Gallery of New South Wales, Artspace, Carriageworks, Cockatoo Island, Museum of Contemporary Art Australia, Sydney Opera House and 4A Centre for Contemporary Asian Art.

The Biennale of Sydney is located on the traditional lands of the Gadigal people of the Eora nation. We acknowledge the traditional custodians of the land and pay respect to Elders, both past and present.



Curatorial Statement

The 21st Biennale of Sydney examines the world today by borrowing the word ‘superposition’, the quantum mechanical term that refers to an overlapping situation. Microscopic substances like electrons are said to be dualistic in nature: they paradoxically exist in the form of waves and granular particles simultaneously. The state of superposition lies across all conceptual levels: from different climates and cultures to views of nature and the cosmic orders, conceptions of Mother Earth and interpretations of land ownership, readings of human history and conditions, the history of modern and contemporary art and the meaning of abstractions. The 21st Biennale of Sydney offers a panoramic view of how they all come together in a state of 'equilibrium', while delving into the workings of individual phenomena, considering the equivalence of these opposing notions through the lens of 'engagement'.

According to the theory of Wuxing in ancient Chinese natural philosophy, everything in this world is made up five main elements: wood, fire, earth, metal and water. Each of these elements gives rise to the next element, either through a process of symbiosis, where one element encourages the formation of the others, or a situation of mutual conflict and antagonism, in which each element resists and suppresses the others. These reciprocal relationships are regulating the cardinal directions, the seasons, colours, our bodily organs and functions, and emotions. In reality, a diversity of elements come together in a state of repeated collision, collapse and rebirth at each level, and today we seem to be witnessing an accelerated process of antagonistic conflict between different standards of value, faiths and beliefs, and political systems.

The participating artists in the 21st Biennale of Sydney were not chosen to represent or symbolise a particular theme. By placing these artworks, oriented towards diverse concerns and issues which resonate with overall perspectives of the Biennale on multiple levels, across seven venues in the city of Sydney, it is my hope that the Biennale as a whole will serve as a microcosm of the history of Earth, the human race, and a condensed version of the history of Sydney. From the repeatedly overlapping value systems contained within, the Biennale will encourage us to consider how all things in this world interact with complementarity in a state of equilibrium and engagement. Taking Sydney in 2018 as a starting point, the 21st Biennale of Sydney SUPERPOSITION: Equilibrium & Engagement promises to be a creative and critical experience for observing the world.

Mami Kataoka

Artistic Director of the 21st Biennale of Sydney

Internationally renowned curator Mami Kataoka is a key figure in analysing socio-historical and generational trends, particularly in the context of Japanese and Asian art, and frequently writes and lectures on contemporary art in Asia.

Plan Your Sydney Experience

Travelling to Sydney for the 21st Biennale? It’s a great time of year to experience the city! Visit for everything there is to know about our city.

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Subject to availability. Please contact these partners for full Terms and Conditions.

The Old Clare Hotel

Use promo code BIENNALE to receive 15% off your stay.


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Events View All

Selected Wednesdays in April and May 2018, 6–8 pm

Archive Salons

17–18 March, 14 April, 26 May and 9 June 2018, 3 pm

Francisco Camacho Herrera, Parallel Narratives – Workshop

First Wednesday of every month, 4 April – 6 June 2018, 6.30–8.30 pm

Sounds on the Terrace