Chang Wen-Hsuan is a Taiwanese artist, writer, and educator whose practice resides at the intersection of contemporary art, historiography, and pedagogy. Her work interrogates the narrative structures of institutionalised history, aiming to expose the power dynamics embedded in dominant historical accounts. Working across installations, moving images, and lecture-based forms, she constructs metafictional spaces where skewed documentation and first-person accounts are activated, allowing history’s unrealised potentials to be re-read, re-written, and re-imagined. In 2018, she launched Writing FACTory, a long-term virtual factory that manufactures tactical forms of publishing as political and pedagogical practices.

Commissioned by the Biennale of Sydney with generous support from Taipei Economic and Cultural Office, Sydney.