Biennale of Sydney

Tony Albert

Tony Albert

Tony Albert

Born 1981 in Townsville, Australia
Lives and works in Sydney, Australia


Tony Albert's project for NIRIN extends and expands upon his Blacktown Native Institution project, which aimed to support Aboriginal custodianship, to honour the Native Institution and their families, and raise awareness of the Stolen Generations in the broader community. For the project, Albert had local children gift written memories to the former children of the Institution, written on paper imbedded with native seeds.

The Native Institution (a former residential school for Indigenous children, established in 1815) was the beginning of Australia's Stolen Generations. The Blacktown Native Institution site (where the Institution moved in 1823) was handed back to the Darug people in 2018.

Albert's project for NIRIN extends and expands upon his Blacktown Native Institution project, which aimed to support Aboriginal custodianship, to honour the Native Institution and their families, and raise awareness of the Stolen Generations in the broader community. For the project, Albert had local children gift written memories to the former children of the Institution, written on paper imbedded with native seeds.

Albert’s work for the 22nd Biennale of Sydney, Healing Land, Remembering Country, is a new gesture of ‘memory exchange’. Presented as a sustainable greenhouse at Cockatoo Island, the work poses important questions such as: how do we remember, give justice to, and rewrite complex and traumatic histories?

The greenhouse acts as a site for reflection, writing and giving. It is filled with an immersive installation of hanging baskets, displaying the weaving and basket making practices of Indigenous artists and communities from around Australia, that act as the holding places for people’s letters and memories. Many community baskets are based on the shape of other carrying vessels and are objects with multiple purposes and meanings: as cradles, to hold food and for use in ceremonies. These are artworks that intimately care for what is placed in them. Visitors, including families and children, are invited to use the house as a space for reflection and conversation, and to create messages in the form of ‘gifted memories’ on handmade paper imbedded with native seeds to place in the baskets.

The greenhouse is also a place for planting, to step into warmth, light and mist; to witness the growth of plants native to New South Wales; and to experience a healing atmosphere. Visitors are able to plant and pot their seed letters, placed on a tiered structure to show the growth of the plants. The greenhouse is open to the diverse international and local visitors of the Biennale, and Albert has worked closely with the Public Programs and Learning team to engage communities, and to build specific programs of ‘memory exchange.’

The project also acts as an opportunity to rejuvenate the land through vegetation (which, after the project, will be planted in locations selected in close collaboration with communities) and to heal it through collective memories.

Courtesy the artist and Sullivan+Strumpf

Exhibited Artwork

Tony Albert, Do Not Frack the NT, 2020, house paint on banner. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts and Create NSW and generous assistance from the Medich Foundation. Courtesy the artist and Sullivan+Strumpf, Sydney

Location: Museum of Contemporary Art Australia

Tony Albert, Healing Land, Remembering Country, 2020, greenhouse nursery, hand woven baskets, native plants. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts and Create NSW, and generous assistance from The Medich Foundation. Courtesy the artist and Sullivan+Strumpf, Sydney. Hand woven baskets by: Bula’Bula Arts – Evonne Munuyngu; Gapuwiyak Culture and Arts – Dolly Dhimburra Bidingal, Joyce Milpuna Bidingal, Mary Dhapalany, Mavis Marrkula Djuliping, Linda Gagati, Caroline Gulmindilly, Kathy Guyula, Helen Djaypila Guyula, Meredith Marika; Numbulwar Numburindi Arts – Nicola Wilfred; Tjanpi Desert Weavers – Munatji Brumby, Maureen Cullinan, Niningka Lewis, Puna Yanima

Photograph: Tony Albert, Healing Land, Remembering Country, 2020, greenhouse nursery, hand woven baskets, native plants. Installation view (2020) for the 22nd Biennale of Sydney, Cockatoo Island. Courtesy the artist and Sullivan+Strumpf, Sydney. Photograph: Zan Wimbe

Location: Cockatoo Island

Tony Albert, Brothers (The Prodigal Son), 2020, glass, lead, photographic decal, steel, stone. Commissioned by the Biennale of Sydney with generous support from the Australia Council for the Arts, and Create NSW, and generous assistance from The Medich Foundation. Courtesy the artist and Sullivan+Strumpf, Sydney. Fabricated with the assistance of Australia Council for the Arts and Canberra Glassworks

Photograph: Tony Albert, Brothers (The Prodigal Son), 2020, glass, lead, photographic decal, steel, stone. Installation view (2020) for the 22nd Biennale of Sydney, National Art School. Courtesy the artist and Sullivan+Strumpf, Sydney. Photograph: Zan Wimberley

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